The City Son Lib/E cover

The City Son Lib/E

by Samrat Upadhyay

Review Author Upadhyay tells his story with simple and direct prose...The multicharacter narration adds dramatic depth.-- "Publishers Weekly"Examines the vengeance of a truly evil woman scorned...Not for the faint of heart.-- "Booklist"Priya Ayyar delivers a vivid and lively narration of personal entanglements. She deftly manages both the narrative voice, which has a neutral English accent, and the subcontinental accent that conveys the dialogue and thoughts of the Nepalese characters. In bringing to life the competition between women for scarce resources in the developing world, she dramatizes the tension at the core of the story. The listener keenly feels the stress of the two female characters who fight for the same man's attention and for his financial support of their children, two legitimate, one not. The story is not for the faint of heart as it exposes the worst that can come from human desperation. When Didi discovers that her husband, the Masterji, has been hiding his beautiful lover and their young son Tarun in a nearby city, she takes the Masterji back into her grasp and expels his second family. Tarun's mother, heartsick and devastated, slowly begins to lose her mind, and Tarun turns to Didi for the mothering he longs for. But as Tarun gets older, Didi's domination of the boy turns from the emotional to the physical, and the damages she inflicts spiral outward, threatening to destroy Tarun's one chance at true happiness. Potent, disturbing, and gorgeously stark in its execution, The City Son is a novel not soon forgotten. About the Author Samrat Upadhyay was born and raised in Nepal. Upadhyay teaches in the creative writing program at Indiana University.Priya Ayyar is an audiobook narrator, actor, and writer with a BFA and MFA from NYU's Tisch School of the Arts. Her acting credits for television and film include Law & Order: Criminal Intent, All My Children, and the documentary The Children of War. She has appeared on stage in War of the Unheard, Aminta, and The Road Home, and she has written and performed in the plays Karmic Fusion and Losing Remote Control.

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