House of Leaves
House of Leavesis a multilayered intersection of wild ideas, ten years in the making, from Mark Danielewski. It is also the story of a seemingly normal house gone wild. The novel intertwines the narratives of two haunted individuals: Zampano, a blind man whose strange manuscript is found in his apartment when he dies, and Johnny Truant, the tome's discoverer and narrator of House of Leaves. Zampano's manuscript is a critique of a documentary film called "The Navidson Record," by Pulitzer Prize-winning filmmaker Will Navidson. The filmmaker had just moved his family into a house on Ash Tree Lane and hadn't even had the chance to unpack before the strangeness began. Navidson discovered what at first seemed like an odd prank perpetrated by a psychotic carpenter: Behind a closet door, a hallway with smooth black walls had suddenly appeared. This prompted Navidson, ever the pragmatist, to do some measurements. He learned that the inside of the house was larger than the outside. And the hallway did not just remain a hallway; it was growing rapidly, and there was a deep growl emanating from the darkness that was unlike anything he'd ever heard. Partly out of habit, but also sensing that nobody would ever believe his story, Navidson captured everything on film. Realizing that he was out of his league, Navidson assembled a team of professional hunters and explorers, four fearless men who could navigate any terrain and deal with any physical hardship. Armed with the best high-tech equipment, cameras, and plenty of supplies, they ventured into the dreamlike interior of the house. The discovered that the house was mutating, spawning a web of incredibly complex, pitch-black passageways and cavernous spaces. Dimension and space shifted constantly, becoming fluid and dangerous. The house humbled the team, rendered their equipment useless, and turned them against each other. Danielewski's descriptions of the explorations of the interior are amazing (think Into Thin Airin a surreal dreamscape). As the house mutates, so does Zampano's manuscript; the text takes on a life of its own, and the layout responds. The film critique is heavily and amazingly footnoted in a way that blurs the line between artifice and reality. The house is completely baffling, Johnny is sliding into madness, and there is something evil that haunted Zampano and the house on Ash Tree Lane and now stalks Johnny. His transformation is also extraordinary: He goes from being an apathetic, hedonistic, eviction-dodging tattoo shop apprentice to a physically wasted, haunted shadow of his former self. House of Leavesis an incredible blend of mystery, madness, and terror that makes the reader uncomfortable in an entirely new and fascinating way. The novel asks an important question: What are we afraid of? It goes after the deeper origins of fear and stays with usin our thoughts and dreamslong after we've turned the last page. Sophie Cottrell Bleak House Can a book be a labyrinth? Or, to follow the premise of Mark Z. Danielewski's genre-bending debut, can a book about a book about a film be anything else? House of Leavesis both vast and claustrophobic, crammed with minutiae (footnotes, appendices, poems and letters, and layout trickery) yet cored by a deep, absorbing emptiness, a deliberate void that accommodates, even incorporates, each character'sperhaps even each reader'sexpectations, quirks, and fears. At the novel's heart is "The Navidson Record," a documentary collage made by Will Navidson, prizewinning photographer, of his attempts to explore the impossible. A bizarre hallwaydark, cold, and haunted by a menacing growlhas suddenly appeared in his new home, and within its darkness lies an ominous architecture that mutates, viruslike, with every trip inside, offering a deadly threat to Navidson's wife, Karen, and their young children; to his brother Tom, whose loyalty Navidson abuses; to his friends who become involved in the quest; and finally and most directly, to himself. For